PENTAX K-1

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Full Frame. Excellence Redefined.

*body only

Developed as the flagship model of the acclaimed PENTAX K series of digital SLR cameras, this new model features a large CMOS image sensor, equal in size to the full image area of 35mm film, to deliver super-high-resolution images required for the artistic work of photo enthusiasts and professionals.

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Developed as the flagship model of the acclaimed PENTAX K series of digital SLR cameras, this new model features a large CMOS image sensor, equal in size to the full image area of 35mm film, to deliver super-high-resolution images required for the artistic work of photo enthusiasts and professionals. Equipped with a large, high-performance CMOS image sensor (35.9mm by 24.0mm) and supported by approximately 36.4 effective megapixels and PENTAX-original imaging technologies, the PENTAX K-1 assures super-high-resolution images rich in gradation and superb in high-sensitivity rendition. Thanks to its large image sensor, the camera provides the same depth of field as a 35mm film-format camera, and allows the user to create a fine bokeh (defocus) effect more effectively than before. By further advancing its unique technologies, accumulated over decades of camera development, PENTAX has also equipped the K-1 with a host of the latest technologies. A new-generation shake reduction mechanism effectively reduces camera shake along five axes with a compensation range of five shutter steps. This mechanism also shifts the image sensor unit by a single pixel to assure super-high-resolution digital imaging. An extra-accurate exposure-control mechanism is supported by state-of-the-art artificial intelligence technology. Within its compact body, the K-1 also provides an array of PENTAX-original features and functions, such as a flexible tilt-type LCD monitor that can be tilted to the desired angle horizontally and vertically without deviating from the lens’s optical axis; an Operation Assist Light function to facilitate camera operation in the dark; and an optical viewfinder with a nearly 100-percent field of view. In addition to an assortment of interchangeable lenses — from old film-era lenses to the latest D FA-series models — the K-1 also accepts more compact DA-series lenses with a smaller image circle, with the help of its Crop function.

What's the best camera for a photographer?

Throughout more than 50 years as a leading SLR camera manufacturer, PENTAX has always thought very seriously about this question, and developed the original technologies to provide good answers. It’s a history of never-ending innovation and evolution.

Based on its experiences and expertise accumulated over these years, PENTAX now has the final answer: a new 35mm full-frame digital SLR camera named PENTAX K-1. Proudly carrying the number “1” in its name, the K-1 reigns as the flagship of the acclaimed PENTAX K series.

While inheriting PENTAX’s traditional compact, durable body design, the K-1 adds essential values to the 35mm full-frame format, including state-of-the-art high-resolution technologies drawn from PENTAX’s development of medium-format models, an array of exclusive shooting features, and remarkable environmental adaptability in the field.

True to its number-1 naming, the PENTAX K-1 signifies the arrival of a new era in 35mm full-frame digital SLR cameras.

35mm full-frame CMOS image sensor

Exceptional imaging power assured by a large-format sensor.

The K-1 incorporates a newly developed 35mm full-frame CMOS image sensor, one that assures the highest image quality to be found in the K-mount SLR series. Thanks to its large imaging area and wide pixel pitch, this high-pixel sensor delivers lively, true-to-life images with rich gradation and minimal noise. Its shallow depth of field allows you to control the sense of depth and bokeh (defocused) effect at will.

AA-filter-free design, to optimize resolving power

An optical AA (anti-aliasing) filter will affect the camera’s image resolving power, even though it will help reduce moiré and false color. The K-1 incorporates an AA-filter-free design to optimize the image resolving power of its high-pixel image sensor.

Prime IV

A new imaging engine optimized for a 35mm full-frame image circle
The K-1 features a newly designed PRIME IV imaging engine. Compared with the previous PRIME III version, it is fine-tuned to process higher-resolution images, while boosting the operating frequency by nearly 50 percent. Its noise-processing algorithm has also been upgraded to capture beautiful, fine-gradation images at higher sensitivities. A combination of an advanced scene analysis system and new image-processing functions helps improve the accuracy and reliability of image reproduction.

ISO 204800

A combination of super-high sensitivity and exceptional image resolution
By taking full advantage of the image sensor excelled in noise-resistance performance and the PRIME IV imaging engine, the K-1 provides a top sensitivity of ISO 204800 (at standard output sensitivity). This not only delivers high-resolution images free of tone jumps and graininess at high-sensitivity settings, but also improves image quality in the low-sensitivity range. Since the K-1 allows you to raise the sensitivity level to capture images equal in image quality to those taken at lower sensitivities, it expands the boundaries of photographic expression

Approximately 36.4 effective megapixels

Exceptional resolving power supported by a high-resolution, AA-filter-free design
Thanks to its approximately 36.4 effective megapixels, the K-1 delivers breathtaking, true-to-life images—the kind that will seize the viewer’s imagination. Its exceptional resolving power captures each leaf of a distant tree or every drop of a spray in the finest detail. Since it provides image data large enough to produce a brilliant A2-size print (at 300dpi), the photographer is assured of great flexibility in image composition, either by cropping the image during shooting, or trimming the captured image during processing. By processing large volumes of data with its 14-bit image-processing system, the K-1 delivers beautiful, rich-gradation images.

Pixel Shift Resolution System Reproduction of true-to-life, super-high-resolution images beyond actual pixels

Reinforced with the SR (Shake Reduction) mechanism, the K-1’s Pixel Shift Resolution System* captures four images of the same scene by shifting the image sensor by a single pixel for each image, then synthesizes them into a single, super-high-resolution composite image. Compared to the conventional Bayer system, this innovative system obtains all RGB color data in each pixel to deliver beautiful images with far more truthful colors and much finer details, without any hint of false color. This system also reduces high-sensitivity noise to a minimum. 

The difference in image quality is evident at a glance, even without magnifying the captured image on a computer screen or producing a large-size print. Images captured by the Pixel Shift Resolution System can be saved as RAW-format files. You can developed these files within the camera body while adjusting various parameters or turning the Pixel Shift Resolution effect on and off to create a new image.

 

* When using this system, the user is advised to stabilize the camera firmly on a tripod during shooting by setting the drive mode to self-timer or remote control, or using the mirror lock-up function.
* When the subject is on the move or camera shake occurs, the desired effect may not be obtained.

Motion Correction Function

When shooting an image with the Pixel Shift Resolution System, the K-1 provides a new Motion Correction function. When this function is activated, the camera automatically detects the amount of subject motion during continuous shooting and minimizes negative effects during the synthesizing process.*

* The movement may not be sufficiently corrected when the subject is moving in certain directions and/or patterns. This function does not guarantee that the movement will be properly corrected for all subjects

AA filter simulator State-of-the-art mechanism to optically minimize moiré and false color

By using the camera’s SR mechanism to apply microscopic vibrations to the image sensor, the PENTAX-original AA (anti-aliasing) filter simulator* effectively minimizes moiré and false color along the image’s edges, which are common problems when shooting subjects with minute patterns. The K-1 allows you to faithfully reproduce your creative intention on a captured image, either by simulating the AA-filter effect for well-balanced images or by opting for the AA-filter-free mode for greater resolving power. *This function works most effectively with a shutter speed of 1/1000 second or slower. *This function may not be combined with some shooting modes.

SR II in-body shake reduction mechanism
The world’s first five-axis, five-shutter-step camera shake compensation*

The PENTAX-original sensor-shift-type shake reduction mechanism has been upgraded to provide optimum compensation for all lenses used in handheld shooting. The new-generation SR II (Shake Reduction II) features a five-axis mechanism to compensate for camera shake caused by horizontal and vertical shift** (often generated in macro photography) and camera shake caused by roll, which is difficult to handle by lens-installed shake reduction mechanisms, in addition to more common camera shake caused by pitch and yaw. The SR II unit is controlled with great precision as soon as the camera’s power is turned on, and provides a wide compensation range — as much as five shutter steps*** — to expand the limits of handheld shooting.

*For a 35mm full-frame digital SLR camera, as of February 2016 (based on RICOH IMAGING research).
**During Live View shooting, this mechanism does not compensate for camera shake caused by horizontally and vertical shift.
*** Measured in conformity to CIPA standards, using an HD PENTAX-D FA 28-105mm F3.5-5.6ED DC WR lens at a focal length of 105mm.

Compatible with panning shots

When taking a panning shot, this mechanism efficiently controls the SR unit to detect only the direction of the camera’s movement, while compensating for all other affecting vectors. Because of this, the K-1 captures beautiful, high-resolution images both in normal shooting and panning photography, without requiring any switching operation.

-10 degrees celcius cold-resistant construction

Unmatched reliability proven under vigorous testing conditions

Anticipating use in cold locations, PENTAX has subjected the K-1 to exacting environmental tests at temperatures as low as –10°C, and gathered a vast array of data on operational precision, response and stability of mechanisms and circuits, as well as fluctuations in battery voltage.* As the result, the K-1 assures solid, trouble-free operation even at freezing temperatures.

* Battery performance declines as the temperature goes down. When shooting in cold environments, the user is advised to carry spare batteries and keep them warm by storing them in an inside pocket.

Flexible Tilt-Type LCD monitor

Innovative mechanism to tilt the monitor to any desired angle along the optical axis

Aiming at aligning the photographer’s line of sight precisely with the camera’s optical axis while providing a flexible angle adjustment, PENTAX has designed an ideal LCD monitor for the K-1 by creating an innovative mechanism that supports the monitor with four stays. This monitor has reached two difficult goals that conventional monitors have failed to attain: no deviation from the optical axis; and unrestricted tilt in all directions, horizontally or vertically. You can even tilt it up to a nearly 90-degree angle for low-angle and waist-level photography.

Air Gapless LCD monitor
The K-1’s Air Gapless LCD monitor uses a special resin layer applied between the protective panel and the LCD screen to effectively cut down internal reflections. Coupled with the Outdoor View Setting function, it assures excellent visibility even under bright sunshine.

Built-in GPS module and Electronic Compass
Automatic recording of shooting position data

The K-1 features a built-in GPS module and Electronic Compass, which together display the camera’s direction on the LCD monitor. These features allow you to attach Exif data to recorded images, including the location, direction and time of shooting (using Universal Time Coordinated). This comes in particularly handy in situations where you must make meticulous preparations in advance for the direction of shooting, such as the shooting of sunrise scenes and celestial bodies.

  Latitude    Longitude    Altitude    Universal Time Coordinated    GPS Signal Status    Camera’s Direction of shooting (Azimuth)

GPS Log to track the photographer’s movement

The K-1’s GPS Log function automatically keeps track of the photographer’s movement at fixed intervals. By loading a log file on your computer, you can trace the route you have traveled using a mapping application such as Google Earth™.

Effortless tracking and photographing of celestial bodies without an equatorial telescope

By making full use of its GPS module, Electronic Compass and SR mechanism, the K-1 simplifies the astronomical photography of celestial bodies, without the help for an equatorial telescope. Based on the latitude data obtained from GPS satellites and other affecting factors (the camera’s direction and horizontal/vertical tilt) obtained by its various sensors, the K-1 calculates the movement of celestial bodies, then synchronizes the movement of its image sensor with that of celestial bodies with great precision. Since it captures stars without a streaking effect even during extended exposures, you can record faint stars, which are difficult to detect with the naked eye, as point images.

* The user is advised to use a tripod to stabilize the camera.

* The user is advised to read the operating manual thoroughly before shooting.

* ASTROTRACER cannot be used with some shooting modes, such as interval shooting and interval composite shooting.

Optical viewfinder with a nearly 100% field of view
Assuring a clear view of the field and ease of focus

The K-1’s optical viewfinder provides a nearly 100-percent field of view and a 0.7-times magnification to deliver a sharp, crisp view of the subject and a large, well-defined image field, both of which are the benefits of the 35mm full-frame SLR camera. This viewfinder also provides a clear view of the image field free of aberrations, even at the edges. Its Natural-Bright-Matte III focusing screen* makes it easy to identify the in-focus point, even during manual-focus operation

* The focusing screen is fixed on the camera body, and is not interchangeable.

  Transparent LCD

Transparent viewfinder display
At-a-glance confirmation of the camera’s operational status

The K-1’s transparent LCD viewfinder display allows you to select desired data, such as a grid display, and monitor it in the viewfinder. It comes in handy when correcting the camera’s tilt using the digital level or rearranging the image composition using a grid pattern, without taking the eye off the subject.

Digital Level
The Digital Level displays the K-1’s horizontal and vertical tilt with two bar scales. Compared with the conventional type that utilizes an exposure bar scale, it not only makes it easier to identify the camera’s tilt, but also allows you to check the tilt and exposure status simultaneously. As the result, it greatly improves the camera’s operability during viewfinder shooting

Selection of data on viewfinder display
Transparent data to be displayed in the viewfinder (grid pattern, Digital Level, AF frame and spot-metering frame) can be turned on and off independently to accommodate varying shooting conditions and preferred shooting styles

* All viewfinder display data, except the crop frame, is simulated to explain the function.

Crop mode
Automatic switching of an image area with attachment of a lens

When a DA★-, DA Limited- or DA-series lens is mounted on the K-1, its Crop mode automatically switches an image area to the APS-C size covering the middle section of the image field, while displaying the cropping frame in the viewfinder. It not only assures high-resolution images with approximately 15.36 effective megapixels, but also provides an efficient AF sensor coverage of the image area for more flexible image composition during autofocus operation. When you select the FF (Full Frame) setting of the Crop mode, you can even capture a 35mm full-frame image with a DA-series lens.*

* With certain lenses and/or under certain photographic conditions, a captured image may suffer a drastic drop in brightness and/or resolution in the areas outside the APS-C image area. This setting does not provide compensation of various lens aberrations.

 Cropping frame

Customization
Creating your personal K-1 by customizing camera operations to your preference

The K-1 provides a wide range of customization settings to optimize the ease and comfort of camera operations. These settings have been designed to expand the functions of the USER Mode and the Fx (function) buttons, improve accessibility to desired functions on the control panel, and prevent accidental operational errors.

 USER Mode
Five different combinations of the most frequently used functions can be assigned to this mode to handle specific subjects or creative intentions.

 Control panel
This panel displays a list of the functions and their status on the LCD panel, while allowing you to change the contents and/or order of listed functions to suit your shooting style.

 Lock button
In order to prevent accidental setting changes, the K-1 provides a lock button to temporarily inactivate control buttons and dials. It offers you a choice of two lock functions: Type 1 to prevent unintended exposure setting changes; and Type 2 to prevent operational setting changes.

Customization buttons

 Fx1 button
One function from seven options can be assigned (default: RAW)

 Fx2 button
Another function from seven options can be assigned (default: Outdoor View Setting)

 AF button
One of the functions governing AF operation can be assigned.

 Preview lever
An optical or digital preview mode can be assigned.

 E-dial
A set of exposure mode can be assigned.

Custom Functions

A total of 26 Custom Functions are available with the K-1.

HD PENTAX-D FA 150-450mmF4.5-5.6ED DC AW
Aperture : F6.3 ; Shutter speed : 1/800 sec. ; Expsoure compensation : 0.0EV ; Sensitivity : ISO 100 ; White balance : Color temperature assigned ; Custom image : Bright

Remarkable Maneuverability, despite the 35mm full-frame design

The K-1 inherits PENTAX’s development concept of a compact body and ease of handling in the field. PENTAX has completely restructured the mechanical unit containing the shutter charge and mirror driving mechanisms, while repositioning the finder unit to keep the camera’s height to a minimum. PENTAX’s advanced high-density packaging technology has succeeded in creating a compact, maneuverable body for the new K-1.

Front: PENTAX APS-C-size SLR camera
Back: PENTAX 35mm full-frame SLR camera (K-1)

Floating Mirror Structure

In order to accommodate the 35mm full-frame image sensor and cover the light flux of the large viewfinder with a nearly 100-percent field of view, it was necessary to increase the size of the main mirror and mirror box. To minimize the size of the mirror box, PENTAX has developed a new mechanism that retracts the main mirror as it swings upwards.

 Lens mount

 Shutter window

 Action of the main mirror

 Action of the main mirror without the Floating Mirror Structure (the mirror bumps against the lens mount.)

 The main mirror and its pivot retract at mirror-up position.

PENTAX Real-time Scene Analysis System
Optimizing the performance of AE and AF systems and the ease of image composition

Supported by the approximately 86,000-pixel RGB light-metering sensor and the new PRIME IV imaging engine, the PENTAX Real-time Scene Analysis System analyzes such factors as brightness distribution in the image field, the subject’s primary color and its motion with great accuracy and efficiency. In addition, by adopting a breakthrough artificial intelligence technology called deep learning to its image detection algorithm*, this system assesses each individual scene more accurately, while optimizing the accuracy and performance of the light-metering, exposure-control and autofocus systems, and selecting the most appropriate finishing touch for a given scene or composition.

* This RICOH-original technology is available during viewfinder shooting when the exposure mode is set to Scene Analyze Auto and the Custom Image mode is set to Auto Select.

PENTAX Real-time Scene Analysis System
Optimizing the performance of AE and AF systems and the ease of image composition

Supported by the approximately 86,000-pixel RGB light-metering sensor and the new PRIME IV imaging engine, the PENTAX Real-time Scene Analysis System analyzes such factors as brightness distribution in the image field, the subject’s primary color and its motion with great accuracy and efficiency. In addition, by adopting a breakthrough artificial intelligence technology called deep learning to its image detection algorithm*, this system assesses each individual scene more accurately, while optimizing the accuracy and performance of the light-metering, exposure-control and autofocus systems, and selecting the most appropriate finishing touch for a given scene or composition.

* This RICOH-original technology is available during viewfinder shooting when the exposure mode is set to Scene Analyze Auto and the Custom Image mode is set to Auto Select.

86,000 pixel RGB light-metering sensor
High-precision scene analysis based on the subject’s color, shape and motion

The K-1’s approximately 86,000-pixel RGB light-metering sensor not only delivers outstanding resolving power, but also detects colors with great precision. After accurately measuring the subject’s shape, primary color and motion, it feeds the obtained data to the PENTAX Real-time Scene Analysis System for extra-accurate scene analysis.

33-point AF system with 25 cross-shaped sensors

Assuring reliable, unfailing focus on the subject
The K-1’s sophisticated 33-point AF system has a high-density distribution of AF sensors to effectively monitor crucial areas of the image field, while providing 25 cross-shaped sensors to assure extra-accurate focus on the subject.

AF system with F2.8 luminance flux linear sensors
Three center sensors are designed to detect the luminance flux of an F2.8 lens for high-precision autofocusing. When using a very fast lens with a shallow depth of field, these sensors can greatly improve the focusing accuracy.

Zone Select
This mode lets you select a set of nine points forming a square, which can be shifted as desired by moving the center point. It detects a subject placed within this square, optimizes the focus, and tracks its movement — all automatically.

Select-area expansion
This mode lets you select one of 33 AF points to focus on the subject, and makes the K-1 automatically track the subject and refocus on it with the help of the neighboring points, even when it moves away from the initial point. You can select the desired expansion area from nine, 25 or 33 points.*

The number of AF points may decrease if the selected expansion area includes an area or areas outside the AF frame.

Auto tracking with PENTAX Real-time Scene Analysis System
Supported by the PENTAX Real-time Scene Analysis System, the K-1’s Auto Tracking function accurately detects the subject’s motion based on various factors including color, then keeps pinpoint focus on the subject throughout the imaging process by automatically shifting the in-focus point.

Multi-mode AE system
A choice of distinctive auto-exposure modes

In addition to the conventional Program (P), Aperture-Priority (A) and Shutter-Priority (Tv) modes, the K-1 also provides the PENTAX-original Sensitivity-Priority (Sv) and Shutter-speed/Aperture-Priority (TAv) modes, both of which assure proper exposure on the subject by factoring the ISO sensitivity more prominently into exposure-control operation. This multi-mode system assures more flexible control of exposure settings to express the subject’s motion or the depth of field. It also provides a wide exposure compensation range of ±5EV (in still-image shooting) to expand a range of exposure control.

1/8000-second high-speed shutter
Exceptional operational accuracy and remarkable durability

The K-1 features an electronically controlled, vertical-run shutter to optimize the performance of the 35mm full-frame image sensor. With a top speed of 1/8000 second, it allows you to open up the aperture, even in bright locations, and take full advantage of the bokeh (defocus) effect created by the large image sensor. It also provides a flash synchronization speed of 1/200 second. Symbolizing the K-1’s field camera concept, this unit is designed to be compact and lightweight, with a well-balanced combination of high-precision operation and outstanding durability.

High-speed drive mode
Flawless continuous shooting at approximately 4.4 images per second

The K-1 provides high-speed continuous shooting at a top speed of approximately 4.4 images per second (at CH setting). You can also switch instantly to an optional speed setting of three images per second (CM) or 0.7 images per second (CL) using the main menu or Smart Function. In the APS-C Crop mode, the drive speed can be boosted to as high as approximately 6.5 images per second to assure quick response to fast-moving subjects.

Large image recording capacity in continuous shooting
A maximum of 100 images captured at a high-quality 36-megapixel level

Thanks to its large-capacity buffer memory, the K-1 lets you record a large number of images during continuous shooting: approximately 70 JPEG images (or approximately 17 RAW images) at CH setting; approximately 100 JPEG images (or approximately 20 RAW images) at CM setting, or approximately 100 JPEG images (or approximately 100 RAW images) at CL setting.*

* These figures are an approximate number of images recordable in the 35mm full-frame format, in the JPEG L-size Best format, and at ISO 100

Hyper Program and Hyper Manual
Flexible control of the depth of field and the subject’s motion

In the Program (P) mode, the K-1 features the PENTAX-developed Hyper Program mode, which allows you to set a desired shutter or aperture speed using the front and rear e-dials, while retaining a proper exposure level. This eliminates the need for turning the model dial when switching to the Tv or Av mode.

In the Hyper Manual (M) mode, one push of the green button instantly sets the same aperture and shutter-speed settings as those of the P mode for proper exposure. Then, you can adjust the exposure to a desired level using the front and rear e-dials. With the AE-lock function, you can even shift aperture and/or shutter-speed settings while retaining the initial exposure level.

The combination of aperture and shutter speed can be changed without affecting the memorized exposure value.

When you set the Smart Function to the ISO mode, you can enjoy more flexible control of the three primary exposure parameters — aperture, shutter speed and ISO sensitivity — in both the P and M modes, using a combination of the front and rear e-dials and the setting dial.

Clarity control and Skin Tone correction*
Compensation of the subject’s texture, while retaining the image’s overall sharpness

The Clarity control function is an image-processing technology effective in reproducing the glossy texture of metals and the clearness of the sky or splashing water. By adjusting the smoothness of a silky or shiny surface, it lets you control the quality of texture and the degree of clarity. The Skin Tone correction function** restores a tender texture and a healthy tone of the subject’s skin, while keeping the high-resolution rendition in its hair and clothing and in the background. It depicts your subject with smooth texture and healthy skin tones.

* Both of these functions are technologies developed by RICOH Co., Ltd.

** The Skin Tone correction function can be activated only when the Face
Detection mode is selected

HDR
Faithful reproduction of highlights and shadows

The K-1’s HDR (High Dynamic Range) mode* delivers an image similar to that detected by the naked eye, by minimizing white-washed highlights and pitch-black shadows, even with extreme high-contrast scenes. It also allows you to set a range of exposure shifts or use the Automatic Position Adjustment function.** Since this mode can save original image files in the RAW format, you can develop them by changing HDR settings or turning the HDR mode off. By using a PC and the included software, you can also divide a single RAW-format file into three separate RAW-format images, and save them as independent files.

* This HDR function cannot be used in some shooting modes, and is not compatible with some other functions.
** The Automatic Position Adjustment function is fixed at the OFF mode when the Interval or Interval Movie shooting mode is selected.

Multiple exposure
Three ways to synthesize highly creative images

The K-1 lets you capture the desired number of images — from two to 2,000 — to synthesize a single composite image, with three synthesis modes: average, additive and comparative brightness. In Live View shooting, the K-1 displays a translucent image of the already captured image on its LCD monitor, allowing you to make precise alignment of the images.

Digital filters
For creating a dramatized work of art with special visual effects

The K-1 offers a choice of nine digital filters during shooting, and 21 digital filters during playback. You can apply as many as 20 filters to a single image to create a distinctive, personalized work of art.

Movie recording
Full HD movies with a beautiful bokeh effect

The K-1 records lively, true-to-life movies. Thanks to a shallow depth of field provided
by its 35mm full-frame design, it effectively produces a beautiful bokeh effect. You can
also record sound in stereo using a stereo microphone (commercial product, not
included with the K-1), or monitor it during recording using headphones (commercial product, not included with the K-1).

4K-compatible Interval Movie Shooting
Documenting a constantly changing subject in high resolution

The K-1’s Interval Movie mode allows you to record still images of a slowly changing subject at a fixed interval, and link them into a single movie file. You can play back the 4K-resolution (3840 x 2160 pixels) movie file,* as if fast-forwarding the time on the screen. The K-1 also provides the Star Stream function, which lets you draw the magical traces of stars in a movie.

* When playing back the movie file on a device other than the K-1, the user is advised to use a PC operating environment supporting 4K-resolution movie playback.

Wi-Fi compatability
Remote control of the camera using a smartphone

By wirelessly connecting the K-1 with your smartphone, you can capture images from a distance, or browse them on the smartphone screen.* You can set various shooting functions and change their settings, adjust the focus, release the shutter, and check the captured images.

* The dedicated Image Sync application is required for remote shooting and browsing operations. Image Sync can be downloaded free of charge from App Store (for iPhones) or Google Play™ (for Android™ smartphones).
** Access the RICOH IMAGING official website or contact our customer service center for compatible smartphone operating systems.

Image Transmitter 2 compatibility
Tethered photography from a personal computer

By installed the optional IMAGE Transmitter 2 tethering software on your PC and connecting it with the K-1 via USB terminal, you can operate the K-1, automatically transfer and save recorded images, and check photographic data on your computer. This greatly improves the efficiency of studio shooting.
Note: For proper use, the software must be upgraded to the latest version. Please access our official website for details.

In-body RAW data development
Application of the desired finishing touch without a computer

The K-1 provides in-body development of RAW-format files, with the developed files saved as separate JPEG or TIFF files. This offers greater flexibility in finishing a captured image more faithfully to your creative intention, without the help of a PC. Thanks to a wide range of adjustable parameters, you can add a desired finishing touch to your image regardless of a location, until you are truly satisfied with the result. The K-1 also features a newly designed user interface for more effortless, more flexible parameter control.

Duel card slot
Large-volume image data filing on two SD memory cards

The K-1’s card slot accepts two SD memory cards, with a choice of three data filing modes: “Serial” to store a large volume of data successively from one card to another; “Duplicate” (simultaneous filing) for simplified data backup, and “RAW/JPEG Division” to separate data files based on the recording format. It is also possible to copy an image stored on one card to another.

Digital Camera Utility 5
Exclusive software for high-quality finish and browsing

Supported by the acclaimed SILKYPIX® image development engine, this software allows you to browse through captured images and develop them into RAW-format files on a computer. It is compatible with the K-1’s new features, including the Flat mode of the Custom Image function and the Motion Correction function of the Pixel Shift Resolution System.

Additional information

CAMERA TYPE

TTL AUTOFOCUS, AUTO-EXPOSURE SLR DIGITAL-STILL CAMERA

LIVEVIEW

TYPE: TTL METHOD USING IMAGE SENSOR

FOCUSING MECHANISM: CONTRAST DETECTION (FACE DETECTION, TRACKING, MULTIPLE AF POINTS, SELECT, SPOT)

FOCUS PEAKING: ON/OFF

DISPLAY: FIELD OF VIEW APPROX. 100%, MAGNIFIED VIEW (UP TO 16X),

GRID DISPLAY (4X4 GRID, GOLDEN SECTION, SCALE DISPLAY, SQUARE 1, SQUARE 2,

GRID COLOR: BLACK/WHITE ), HISTOGRAM, BRIGHT AREA WARNING, COMPOSITION ADJUSTMENT

SENSOR

TYPE
CMOS-SENSOR, PRIMARY COLOR FILTER

AA FILTER SIMULATOR: MOIRÉ REDUCTION USING SR UNIT. OFF/TYPE1/TYPE2/BRACKET (3 IMAGES)

SIZE
35.9 X 24.0 MM

TOTAL PIXELS
APPROX. 36.77 MEGAPIXELS

EFFECTIVE PIXELS
APPROX. 36.40 MEGAPIXELS

STILL
[35MM FULL FRAME]

JPEG: L(36M: 7360X4912) M(22M:5760X3840) S(12M:4224X2816) XS(2M:1920X1280),

RAW: (36M:7360X4912)

[APS-C SIZE]

JPEG: L(15M: 4800X3200) M(12M:4224X2816) S(8M:3456X2304) XS(2M:1920X1280),

RAW: (15M:4800X3200)

PIXEL SHIFT RESOLUTION: HIGH RESOLUTION PICTURES BASED ON THE USE OF EACH PIXEL FOR ALL RGB-COLOR INFORMATION – NOW ALSO FOR MOVING SUBJECTS.

MOVIE
FULL HD (1920X1080, 60I/50I/30P/25P/24P), HD (1280X720, 60P/50P)

SENSITIVITY
ISO AUTO/100 TO 204800 (EV STEPS CAN BE SET TO 1EV, 1/2EV OR 1/3EV)

SHAKE REDUCTION
5 AXIS SENSOR SHIFT SHAKE REDUCTION (SR II)

SENSOR CLEANING
IMAGE SENSOR CLEANING USING ULTRASONIC VIBRATIONS «DR II»

SENSOR-SHIFT SHAKE REDUCTION (SR II: SHAKE REDUCTION) (5AXIS)

LENS

MOUNT
PENTAX KAF2 BAYONET MOUNT (AF COUPLER, LENS INFORMATION CONTACTS, K-MOUNT WITH POWER CONTACTS)

USABLE LENSES
KAF3, KAF2 (POWER ZOOM COMPATIBLE), KAF, KA MOUNT LENS

FOCUSING SYSTEM

TYPE
TYPE TTL: PHASE-MATCHING AUTOFOCUS

FUNCTIONS
FOCUS SENSOR: SAFOX 12,33 POINT (25 CROSS TYPE FOCUS POINTS IN THE CENTER)

BRIGHTNESS RANGE: EV-3 TO 18 (ISO 100 / AT NORMAL TEMPERATURE)

AF MODE: SINGLE AF (AF.S), CONTINUOUS AF (AF.C)

AF POINT SELECTION: SPOT, SELECT, EXPANDED AREA (S, M, L), ZONE SELECT, AUTO (33 AF POINTS)

AF ASSIST
DEDICATED LED AF ASSIST LIGHT

VIEW FINDER

TYPE
PENTAPRISM FINDER

FIELD OF VIEW
APPROX. 100%

MAGNIFICATION
APPROX. 0.70X (50MM F1.4 AT INFINITY)

FOCUSING SCREEN
FIXED NATURAL-BRIGHT-MATTE III FOCUSING SCREEN

INDICATION
VIEWFINDER OVERLAY: AF POINTS, GRID DISPLAY, ELECTRONIC LEVEL, AF FRAME, SPOT METERING FRAME, CROP

EYE-RELIEF LENGTH: APPROX. 20.6MM (FROM THE VIEW WINDOW), APPROX 21.7MM (FROM THE CENTER OF LENS)

DIOPTER ADJUSTMENT
APPROX. -3.5M TO + 1.2M-1

SCREEN

SCREENTYPE
WIDE VIEWING ANGLE TFT COLOR LCD, AIR-GAPLESS GLASS, FLEXIBLE-TILT.

SIZE: 3.2 INCH (ASPECT RATIO 3:2)

RESOLUTION
APPROX. 1037K DOTS

PLAYBACK
ADJUSTMENT: BRIGHTNESS, SATURATION AND COLORS ADJUSTABLE

OUTDOOR VIEW SETTING: ADJUSTABLE ±2 STEP

SUTTER

TYPE
ELECTRONICALLY CONTROLLED VERTICAL-RUN FOCAL PLANE SHUTTER
* ELECTRONIC SHUTTER WHEN USING PIXEL SHIFT RESOLUTION

SPEED
1/8000 TO 30 SEC., MANUAL: 1/8000 TO 30 SEC. (1/3EV STEPS OR 1/2EV STEPS), BULB

EXPOSURE SYSTEM

METERING
TTL OPEN APERTURE METERING USING 86K PIXEL RGB SENSOR, MULTI-SEGMENT, CENTER-WEIGHTED AND SPOT METERING

EXPOSURE MODES
SCENE ANALYZE AUTO, PROGRAM, SENSITIVITY PRIORITY, SHUTTER PRIORITY, APERTURE PRIORITY, SHUTTER & APERTURE PRIORITY, MANUAL, BULB, FLASH X-SYNC SPEED, USER1, USER2, USER3, USER4, USER5

METERING RANGE
EV-3 TO 20 (ISO100 AT 50MM F1.4)

AUTO EXPOSURE LOCK
BUTTON TYPE (TIMER TYPE: TWO TIMES THE METER OPERATING TIME SET IN CUSTOM SETTING);

CONTINUOUS AS LONG AS THE SHUTTER BUTTON IS HALFWAY PRESSED

COMPENSATION
±5EV (1/2EV STEPS OR 1/3EV STEPS CAN BE SELECTED)

EXPOSURE PARAMETERS
MODES
DRIVES MODES

MODE SELECTION: SINGLE FRAME, CONTINUOUS (H, M, L), SELF-TIMER (12S, 2S, CONTINUOUS), REMOTE CONTROL (0S., 3S., CONTINUOUS), BRACKETING (2, 3 OR 5 FRAMES), MIRROR-UP, MULTI-EXPOSURE, INTERVAL SHOOTING, INTERVAL COMPOSITE, STAR STREAM
* BRACKETING, INTERVAL SHOOTING, INTERVAL COMPOSITE, INTERVAL MOVIE RECORD, MULTI EXPOSURE AND STAR STREAM ARE POSSIBLE TO USE WITH SELF-TIMER/REMOTE CONTROL.

CONTINUOUS SHOOTING:
[35MM FULL FRAME]
MAX. APPROX. 4.4 FPS, JPEG ( L: ★★★ AT CONTINUOUS H): UP TO APPROX. 70 FRAMES,
RAW: UP TO APPROX. 17 FRAMES
MAX. APPROX. 3.0 FPS, JPEG L: ★★★ AT CONTINUOUS M): UP TO APPROX. 100 FRAMES,
RAW: UP TO APPROX. 20 FRAMES
MAX. APPROX. 0.7 FPS, JPEG ( L: ★★★ AT CONTINUOUS L): UP TO APPROX. 100 FRAMES,
RAW: UP TO APPROX. 100 FRAMES

[APS-C SIZE]
MAX. APPROX. 6.5 FPS, JPEG ( L: ★★★ AT CONTINUOUS H): UP TO APPROX. 100 FRAMES,
RAW: UP TO APPROX. 50 FRAMES
MAX. APPROX. 3.0 FPS, JPEG L: ★★★ AT CONTINUOUS M): UP TO APPROX. 100 FRAMES,
RAW: UP TO APPROX. 70 FRAMES
MAX. APPROX. 1.0 FPS, JPEG ( L: ★★★ AT CONTINUOUS L): UP TO APPROX. 100 FRAMES,
RAW: UP TO APPROX. 100 FRAMES

MULTI-EXPOSURE: COMPOSITE MODE (ADDITIVE/AVERAGE/BRIGHT), NUMBER OF SHOTS (2 TO 2000 IMAGES)

INTERVAL SHOOTING:

[INTERVAL SHOOTING]
INTERVAL: 2S. TO 24H./ STANDBY
INTERVAL: MIN.1S. TO 24H., NUMBER OF SHOTS: 2 TO 2000 IMAGES
START INTERVAL: NOW/SELF-TIMER/REMOTE CONTROL/SET TIME

[INTERVAL COMPOSITE]
INTERVAL: 2S. TO 24H./ STANDBY
INTERVAL: MIN.1S. TO 24H., NUMBER OF SHOTS: 2 TO 2000 IMAGES
START INTERVAL: NOW/SELF-TIMER/REMOTE CONTROL/SET TIME
COMPOSITE MODE: ADDITIVE/AVERAGE/BRIGHT, SAVE PROCESS: ON/OFF

CAPTURE SETTING

CUSTOM IMAGE: AUTO SELECT, BRIGHT, NATURAL, PORTRAIT, LANDSCAPE, VIBRANT, RADIANT, MUTED, FLAT, BLEACH BYPASS, REVERSAL FILM, MONOCHROME, CROSS PROCESSING

SHARPNESS LEVEL: FINE SHARPNESS AND EXTRA SHARPNESS IMPROVE SHARPNESS AND GIVES MUCH BETTER DETAILS

CROSS PROCESSING: RANDUM, PRESET 1-3, FAVORITE 1-3
DIGITAL FILTER: EXTRACT COLOR, REPLACE COLOR, TOY CAMERA, RETRO, HIGH CONTRAST, SHADING, INVERT COLOR, UNICOLOR BOLD, BOLD MONOCHROME

CLARITY: ADJUSTABLE ±4 STEP

HDR: AUTO, HDR1, HDR2, HDR3, ADVANCED HDR, EXPOSURE BRACKET VALUE ADJUSTABLE, AUTOMATIC COMPOSITION CORRECTION FUNCTION

LENS CORRECTION: DISTORTION CORRECTION, PERIPHERAL ILLUMIN. CORRECTION, LATERAL CHROMATIC ABERRATION CORRECTION, DIFFRACTION CORRECTION

DYNAMIC RANGE COMPENSATION: HIGHLIGHT CORRECTION, SHADOW CORRECTION

NOISE REDUCTION: SLOW SHUTTER SPEED NR, HIGH-ISO NR

HORIZON CORRECTION: SR ON: CORRECTION UP TO 1 DEGREES, SR OFF: CORRECTION UP TO 2 DEGREES

COMPOSITION ADJUSTMENT: ADJUSTMENT RANGE OF ±1.5MM UP, DOWN, LEFT OR LIGHT (1MM WHEN ROTATED); ROTATING RANGE OF 1 DEGREE

ELECTRONIC LEVEL: DISPLAYED IN VIEWFINDER AND LCD PANEL (HORIZONTAL AND VERTICAL);
DISPLAYED ON LCD MONITOR (HORIZONTAL AND VERTICAL)

WHITE BALANCE
TYPE: METHOD USING A COMBINATION OF THE CMOS IMAGE SENSOR AND THE LIGHT SOURCE DETECTION SENSOR

AUTO WB, MULTI AUTO WB, DAYLIGHT, SHADE, CLOUDY, FLUORESCENT LIGHT (D:DAYLIGHT COLOR, N:DAYLIGHT WHITE, W:COOL WHITE, L:WARM WHITE), TUNGSTEN LIGHT, FLASH, CTE, MANUAL WB (UP TO 3 SETTINGS), COLOR TEMPERATURE CONFIGURATION (UP TO 3 SETTINGS), COPYING THE WHITE BALANCE SETTING OF A CAPTURED IMAGE

FINE ADJUSTMENT: ADJUSTABLE ±7 STEPS ON A-B AXIS OR G-M AXIS

FLASH

EXPOSURE COMPENSATION
-2.0 TO + 1.0EV

STORAGE

EXTERNAL
STORAGE MEDIUM: SD, SDHC AND SDXC MEMORY CARD (CONFORMS TO USH-1 STANDARDS)

DUAL SD SLOT: SEQUENTIAL USE, SAVE TO BOTH, SEPARATE RAW/JPG, IMAGE COPY BETWEEN SLOTS POSSIBLE

FILE FORMAT
PIXEL SHIFT RESOLUTION: HIGH RESOLUTION PICTURES BASED ON THE USE OF EACH PIXEL FOR ALL RGB-COLORINFORMATION – NOW ALSO FOR MOVING SUBJECTS.

RAW (PEF/DNG), JPEG (EXIF 2.30), DCF2.0 COMPLIANT

QUALITY LEVEL RAW (14BIT): PEF, DNG, JPEG:*(BEST),**(BETTER),***(GOOD), RAW + JPEG
SIMULTANEOUS CAPTURING AVAILABLE

COLOR SPACE: SRGB, ADOBERGB

FILE NAME
"IMGP****" OR USER ASSINGNED FILE NAME

FILE NAME NUMBERING: SEQUENTIAL, RESET

FEATURES

GPS/ELECTRONIC COMPASS

GPS: GPS LOGGING (LOGGING INTERVAL, LOGGING DURATION, MEMORY CARD OPTIONS), GPS TIME SYNC

ELECTRONIC COMPASS: AVAILABLE

ASTROTRACER: POSSIBLE

SATELLITES: GPS, QZSS, SBAS(WAAS/ EGNOS/ GAGAN/ MSAS)

RECEPTION FREQUENCY: L1 1575.42MHZ

RECORDED INFORMATION: LATITUDE, LONGITUDE, ALTITUDE, TIME (UTC), DIRECTION

GEODESICS WORLD GEODETIC SYSTEM (WGS84)

GPS LOGGING: KML FORMAT, LOGGING INTERVAL: 5/10/15/30SEC. /1MIN., LOGGING DURATION: 1-24HR. (UP TO 9HOURS AT LOGGING INTERVAL 5SEC. UP TO 18HRS. AT LOGGING INTERVAL 10SEC.)

ELECTRONIC COMPASS: AZIMUTH CALCULATION USING TRIAXIAL GEOMAGNETIC SENSOR AND TRIAXIAL ACCELERATION SENSOR, TRUE NORTH STANDARD

CUSTOMIZATION

USER MODE: UP TO 5 SETTINGS CAN BE SAVED

CUSTOM FUNCTIONS: 26 ITEMS

MODE MEMORY: 16 ITEMS

CUSTOM BUTTON: FX1 BUTTON, FX2 BUTTON (ONE PUSH FILE FORMAT, OUTDOOR VIEW SETTING, FLASH MODE, PIXEL SHIFT RESOLUTION, SHAKE REDUCTION, HORIZON CORRECTION, ELECTRONIC LEVEL) AF BUTTON (AF1/ AF2/ CANCEL AF) PREVIEW DIAL (OPTICAL PREVIEW/DIGITAL PREVIEW)
VARIOUS SETTINGS FOR THE ACTION OF THE E-DIALS IN EACH EXPOSURE MODE CAN ALSO BE SAVED.

AF CUSTOMIZATION: AF.S: FOCUS-PRIORITY/ RELEASE-PRIORITY
1ST FRAME ACTION IN AF.C: RELEASE-PRIORITY/AUTO/FOCUS-PRIORITY
ACTION IN AF.C CONTINUOUS: FOCUS-PRIORITY, AUTO, FPS-PRIORITY
HOLD AF STATUS: OFF, LOW, MEDIUM, HIGH
AF IN INTERVAL SHOOTING: LOCKS FOCUS AT 1ST EXPOSURE, ADJUSTS FOCUS FOR EACH SHOT
AF WITH REMOTE CONTROL: OFF/ON

OPERATION CONTROL: TYPE 1: E-DIAL, EV COMPENSATION, ISO, GREEN BUTTON, AE LOCK

LOCK: TYPE 2: 4-WAY CONTROLLER, AF POINT CHANGE BUTTON, CHANGE AF POINT, OK BUTTON, MENU BUTTON

TEXT SIZE: STANDARD, LARGE

WORLD TIME: WORLD TIME SETTINGS FOR 75 CITIES (28 TIME ZONES)

AF FINE ADJUSTMENT: ±10 STEP, UNIFORM ADJUSTMENT, INDIVIDUAL ADJUSTMENT (UP TO 20 CAN BE SAVED)

ILLUMINATION SETTINGS: LCD PANEL (HIGH/LOW/OFF), BACKSIDE CONTROLS (HIGH/LOW/OFF), LENS MOUNT (ON/OFF), CARD SLOT/CONNECTOR (ON/OFF)

INDICATOR LAMPS: WI-FI (HIGH/LOW/OFF), GPS (HIGH/LOW/OFF), SELF-TIMER (ON/OFF), REMOTE CONTROL (ON/OFF)

COPYRIGHT INFORMATION: NAMES OF "PHOTOGRAPHER" AND "COPYRIGHT HOLDER" ARE EMBEDDED TO THE IMAGE FILE. REVISION HISTORY CAN BE CHECKED USING THE PROVIDED SOFTWARE.

OPERATING ENVIRONNEMENT

TEMPERATURE: -10°C ~ 40°C (14°F ~104°F)
HUMIDITY: 85% OR LESS (NO CONDENSATION)
DUST AND WATER PROTECTED: 87 SEALINGS PROTECTING CAMERA AGAINST DUST, RAIN AND SPRAYWATER. CAMERA IS NOT WATER PROTECTED.

LANGUAGE
ENGLISH, FRENCH, GERMANY, SPANISH, PORTUGUESE, ITALIAN, DUTCH, DANISH, SWEDISH, FINNISH, POLISH, CZECH, HUNGARIAN, TURKISH, GREEK, RUSSIAN, KOREAN, TRADITIONAL CHINESE, SIMPLIFIED CHINESE, JAPANESE

ACCESSORIES

KIT CONTENT
RECHARGEABLE-ION BATTERY D-LI90(B) – 39830

BATTERY CHARGER D-BC90 – 39832

FINDER CAP FOR ME – 31011

AC PLUG CORD D-CO2E – 39475

PENTAX STRAP O-ST162 – 38477

EYECUP FT – 30128

HOTSHOE COVER FK – 31040

BODY MOUNT CAP KII – 31000

SYNCHRO TERMINAL 2P CAP – 31042

PENTAX K-1 TRIANGULAR RING – 38599

PENTAX K-1 PROTECTIVE COVER – 38600

SOFTWARE (CD-ROM) S-SW162 – 38557

OPTIONAL
RECHARGEABLE-ION BATTERY D-LI90(B) – 39830

AC ADAPTER KIT K-AC132E – 38779

BATTERY CHARGER KIT K-BC90E – 39834

BATTERY GRIP D-BG6 – 38607

PENTAX MAGNIFYING EYECUP O-ME53 – 30150

PENTAX REMOTE CONTROL O-RC1 – 39892

CABLE SWITCH CS-205 – 37248

PENTAX AF 201 FG ELECTRO FLASH W/CASE – 30458

PENTAX AF 540 FGZ II W/CASE – 30456

PENTAX AF 360 FGZ II W/CASE – 30438

STRAP O-ST1401 BLACK – 38613

STRAP O-ST1401 RED – 38614

BODY

HEIGHT
110MM

WIDTH
136.5MM

DEPTH
85.5MM

WEIGHT
APPROX. 1010G (INCLUDING DEDICATED BATTERY AND 1X SD MEMORY CARD), APPROX. 925 (BODY ONLY)

POWER

SOURCE
BATTERY TYPE: RECHARGEABLE LITHIUM-ION BATTERY D-LI90

AC ADAPTER: AC ADAPTER KIT K-AC132 (OPTIONAL)

PERFORMANCE
BATTERY LIFE:

NUMBER OF RECORDABLE IMAGES: 760

PLAYBACK TIME: APPROX. 390 MINUTES

* WITH A FULLY-RECHARGED RECHARGEABLE LITHIUM-ION BATTERY. TESTED IN COMPLIANCE WITH CIPA
STANDARD. ACTUAL RESULTS MAY VARY DEPENDING ON THE SHOOTING CONDITION.

PLAYBACK

DIGITAL FILTER
BASE PARAMETER ADJ, EXTRACT COLOR, REPLACE COLOR, TOY CAMERA, RETRO, HIGH CONTRAST, SHADING, INVERT COLOR, UNICOLOR BOLD, BOLD MONOCHROME, TONE EXPANSION, SKETCH, WATER COLOR, PASTEL, PASTEURIZATION, MINIATURE, SOFT, STARBURST, FISH-EYE, SLIM, MONOCHROME

OPTIONS
PLAYBACK VIEW:

SINGLE FRAME, MULTI-IMAGE DISPLAY (6,12, 20, 35, 80 SEGMENTATION), DISPLAY MAGNIFICATION (UP TO 16, 100% DISPLAY AND QUICK MAGNIFICATION AVAILABLE), ROTATING, HISTOGRAM (Y HISTOGRAM, RGB HISTOGRAM), BRIGHT REA WARNING, AUTO IMAGE ROATION, DETAILED INF, COPYRIGHT INFORMATION (PHOTOGRAPHER, COPYRIGHT HOLDER), FOLDER DISPLAY, CALENDAR FILMSTRIP DISPLAY, SLIDE SHOW, GPS INFORMATION (LATITUDE, LONGITUDE, ALTITUDE, COORDINATED UNIVERSAL TIME, ORIENTATION)

DELETE:

DELETE SINGLE IMAGE, DELETE ALL, SELECT & DELETE, DELETE FOLDER, DELETE INSTANT REVIEW IMAGE

RAW DEVELOPMENT:

RAW FILE SELECT: SELECT SINGLE IMAGE, SELECT MULTIPLE IMAGES, SELECT A FOLDER

RAW DEVELOPMENT PARAMETER: WHITE BALANCE, CUSTOM IMAGE, SENSITIVITY, CLARITY, SKIN TONE, DIGITAL FILTER, HDR, PIXEL SHIFT RESOLUTION, SHADOW CORRECTION, HIGH-ISO NR, DISTORTION CORRECTION, PERIPHERAL ILLUMIN. CORR., LATERAL CHROMATIC ABERRATION CORRECTION, DIFFRACTION CORRECTION, COLOR FRINGE CORRECTION, FILE FORMAT (JPEG/TIFF), ASPECT RATIO, JPEG RECORDED PIXELS, JPEG QUALITY, COLOR SPACE

EDIT: IMAGE ROTATION, COLOR MOIRÉ CORRECTION, RESIZE, CROPPING (ASPECT RATIO AND SLANT ADJUSTMENT AVAILABLE), MOVIE EDIT (DIVIDE OR DELETE SELECTED FRAMES), CAPTURING A JPEG STILL PICTURE FROM A MOVIE, SAVING RAW DATA IN BUFFER MEMORY, IMAGE COPY

MOVIE

RECORDING
FILE FORMAT: MPEG-4 AVC/H.264 (MOV)

RECORDED PIXELS: FULL HD(1920X1080, 60I/50I/30P/25P/24P), HD (1280X720, 60P/50P)

SOUND: BUILT-IN STEREO MICROPHONE, EXTERNAL MICROPHONE (STREO RECORDING COMPATIBLE)
RECORDING SOUND LEVEL ADJUSTABLE, WIND NOISE REDUCTION

RECORDING TIME: UP TO 25 MINUTES OR 4GB; AUTOMATICALLY STOPS RECORDING IF THE INTERNAL TEMPERATURE OF THE CAMERA BECOMES HIGH.

CUSTOM IMAGES: AOTO SELECT, BRIGHT, NATURAL, PORTRAIT, LANDSCAPE, VIBRANT, RADIANT, MUTED, FLAT, BLEACH BYPASS, REVERSAL FILM, MONOCHROME, CROSS PROCESSING

CROSS PROCESSING: RANDUM, PRESET 1-3, FAVORITE 1-3

DIGITAL FILTER: EXTRACT COLOR, REPLACE COLOR, TOY CAMERA, RETRO, HIGH CONTRAST, SHADING, INVERT COLOR, UNICOLOR BOLD, BOLD MONOCHROME

INTERVAL MOVIE RECORD:

[INTERVAL MOVIE]
RECORDED PIXELS: 4K/FULLHD/HD, FILE FORMAT: MOTION JPEG (AVI), INTERVAL: 2S. TO 24H./ STANDBY
INTERVAL: MIN.1S. TO 24H., NUMBER OF SHOTS: 8 TO 2000 IMAGES (8 TO 500 IMAGES AT 4K),
START INTERVAL: NOW/SELF-TIMER/REMOTE CONTROL/SET TIME

[STAR STREAM]
RECORDED PIXELS: 4K/FULLHD/HD, FILE FORMAT: MOTION JPEG (AVI), INTERVAL: 2S. TO 24H./ STANDBY
INTERVAL: MIN.1S. TO 24H., NUMBER OF SHOTS: 8 TO 2000 IMAGES (8 TO 500 IMAGES AT 4K),
START INTERVAL: NOW/SELF-TIMER/REMOTE CONTROL/SET TIME,
FADE-OUT: OFF/LOW/MEDIUM/HIGH

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